影片最大程度地去戏剧化，同学溺水、跳楼、离家出走，每一个戏剧节点都被“冷处理”，避免张扬，躲避凝聚。迷茫与残酷青春的主题电影在上世纪八十年代几乎都是朝着这样的思路演绎，它也一直影响至今，并无花样翻新。

Every time Amy Adams showed up with her sad tearful smile, I became a crying mess on automatic. I don’t blame Evan for going along with the lie. Also, I can’t recall crying as hard as near the end of the “so big/so small” song (oh wait I do recall, last time it was when I was watching that lesbian movie about painting a girl on fire)

剧情温吞水，很一般。这种类型的电影太多了，拍的也不紧张…

观点如此特殊、能量如此丰沛、情感如此偏执的爱情电影，一如青春绽放的蓓蕾，纯净而天真，几乎没有情欲性爱镜头，却饱含熊熊烈火的炽爱，灼得人全身发晕发烫。

http://v.youku.com/v_show/id_XODkwNTcwNA==.html